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- <text id=90TT1457>
- <link 90TT2626>
- <link 90TT2212>
- <title>
- June 04, 1990: Unlaced And Weird On Top
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- June 04, 1990 Gorbachev:In The Eye Of The Storm
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 79
- Unlaced and Weird on Top
- </hdr>
- <body>
- <p>At Cannes, David Lynch slices a poisoned American pie
- </p>
- <p>By Richard Corliss
- </p>
- <p> In Cannes for the world premiere of his new movie, David
- Lynch decided to leave his shoelace untied. "For good luck,"
- he explained obliquely. As if the man from Twin Peaks needed
- luck last week. His all-time-odd TV series lured millions of
- addicted viewers to its season finale. ABC announced that the
- show would return in the fall. And to complete the hat trick,
- Lynch copped the Cannes Film Festival's Palme d'Or for Wild at
- Heart, the writer-director's latest affront to the cinematic
- status quo. Flanked by his radiant companion Isabella
- Rossellini, awash in the cheers and scattered outraged hoots
- that will forever follow his film, Lynch smiled innocently and
- declared, "It's a true dream come true."
- </p>
- <p> Lynch's true dream upstaged the real-life dramas from
- Eastern Europe that the festival had shown as a tribute to
- glasnost. The jury, headed by director Bernardo Bertolucci, did
- bestow subsidiary awards to films whose politics complemented
- their aesthetics. Taxi Blues, a Soviet-French coproduction
- about the convulsive friendship of a Moscow cabdriver and a
- Jewish jazz saxophonist, won the director's prize for Pavel
- Lounguine. Krystyna Janda was named best actress for her role
- as a woman undergoing state torture in Ryszard Bugajski's The
- Interrogation, a harrowing babes-in-bondage film that the
- Poles had suppressed since 1982. The jury should also have
- honored Karel Kachyna's The Ear, made in 1970 and just now
- released. This stark, dark comedy, depicting one long night in
- the life of a bickering Czech couple who find their house
- bugged, plays like Who's Afraid of Virginia Woolf as written
- by Franz Kafka.
- </p>
- <p> Whatever the prevailing winds of political humanism, none
- of the glasnost movies stood a chance against Wild at Heart,
- a big movie from a hot American director, rushed from the lab
- to Cannes. The place was tense with anticipation. Early in the
- festival, Lyncholepts had lined up to see new episodes of Twin
- Peaks screened at the American pavilion. A few U.S. critics
- proudly brandished their foreign videocassettes of the show's
- pilot, for which Lynch shot a tell-whodunit climax not aired
- in the States. Europeans pummeled Americans for details of the
- series, which will begin airing overseas in the fall. Wild at
- Heart may have had less at stake than the East European films,
- but by the time it played, toward the end of the festival, the
- whole movie world was watching.
- </p>
- <p> And Lynch delivered. Wild at Heart is splendidly grotesque
- and mammothly entertaining--the director's first for-sure
- comedy, Blue Velvet for laughs. The plot, from Barry Gifford's
- noirish novel, is your standard slice of poisoned American pie:
- a pair of loser-friendly lovers, Sailor Ripley (Nicolas Cage)
- and Lula Pace Fortune (Laura Dern), hit the road to escape
- Lula's mom and a phalanx of psychos who vividly illustrate
- Lula's contention that the "whole world's wild at heart and
- weird on top." But the picture is charged with so much deranged
- energy, so many bravura images, that it's hard not to be
- seduced by the sick wonder of it all. One character (Crispin
- Glover) puts cockroaches in his underwear and breaks into sobs
- when told that Christmas is still six months away. Heads get
- crushed, punctured and blown sky-high; a dog trots past with
- a severed hand in its mouth. Lula has the movie pegged when,
- at one typical moment, she exclaims, "Lordy, what was that all
- about?"
- </p>
- <p> Wild at Heart is about nothing, perhaps, but the power of
- pictures to shock the nervous system--so much so that the
- film may be rated X in the U.S. It's about the fun that actors
- can have with characters named Bobby Peru (Willem Dafoe),
- Perdita Durango (Rossellini) and Mr. Reindeer (Morgan
- Shepherd). It's about obsessive imagery and compulsive
- behavior: half the people walk on crutches, and just about
- everybody chain-smokes, sometimes two cigarettes at a time. And,
- aptly for a film shown in the living movie museum of Cannes,
- Wild at Heart is Lynch's fond homage to The Wizard of Oz. Lula
- clicks her red slippers to get out of a jam. Her mom (played
- with lubricious abandon by Dern's mother Diane Ladd) is the
- Wicked Witch, all long nails, daft cackles and unquenchable
- vengeance.
- </p>
- <p> In the Wild at Heart press book, Lynch's biography reads,
- in its entirety: "Eagle Scout Missoula Montana." And at his
- Cannes press conference, this ordinary looking fellow with the
- buttoned-up collar and the untied shoelace answered questions
- with the blissed-out graciousness of an Eagle Scout from Mars.
- Told by one reporter that his films are rife with graphic
- visions of violence, he stared benignly and replied, "I have
- even worse." Asked about the similarities in cast and tone
- between Twin Peaks and Wild at Heart, he said, "The main thing
- they have in common is wood." Oh. Any more questions? As Sailor
- says to Lula, so may moviegoers say of the new king of Cannes:
- "The way your head works is God's own private mystery." But
- when Wild at Heart opens this summer in the U.S., a lot of
- people will want to be let in on the secret.
- </p>
-
- </body>
- </article>
- </text>
-
-